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I do not want to hear it!

There's nothing to do, I feel guilty for not having yet made a fitting tribute to Ian Mackay : undisputed leader della leggenda Minor Threat (una delle formazioni più influenti dell'intero panorama rock), nonché iniziatore della Dischord Records .
Nati dalle ceneri dei Teen Idles , fondati con Jeff Nelson ai tempi del college, i Minor Threat di Washington DC sono la band hardcore per antonomasia , non l'unica, non la prima, ma La band hardcore: se dovessi descrivere ad uno appena sbarcato sulla terra il movimento... ecco, proprio loro sarebbero i primi a cui farei riferimento, sia a livello musicale che concettuale.
I primi 2 EP (l' autointitolato e " In My Eyes , "both in 1981) and claim instituted permanently would lead then to a series of genesis and evolution: the example is thrash metal, which surely owes much to this degeneration of the punk classic. Above all," firstborn "was highly significant: in addition to presenting a condensed violence rarely heard in a few seconds earlier, also led to the birth of the famous movement" Straight Edge "(who married in the middle, ed), which emphasizes values \u200b\u200bin contrast with classic clichés of rock: or aversion to the excesses and debauchery, then (more ...) due to prevailing coglionazzi emulating the merdaccia by the name of Sid Vicious.
I think the size of Minor Threat, and a brilliant mind like that of Ian, has been precisely to combine the skill and vision as musicians than the real role models of a community. Community, which over time is incredibly impoverished, but certainly not their fault.
Going back to music ... in the two works mentioned above, if not the actual counts Minor Threat, without a doubt the most savage and primitive. Unfortunately, the toy threatened to break almost immediately: during the time between the publication of In My Eyes and one of the first album " Out of Step" (the band's only LP, 1983) the band split for a short time, only to reform at the request of HR of Bad Brains, adding to our line-up with guitarist Steve Hansgen , which allowed it to previous bassist Brian Baker to open the second guitar.
"Out of Step" had certain elements of change, albeit slight, in the past: the first thing that immediately jumps to the eyes and ears is the duration of individual songs, some of which well over two minutes, and, while remaining quite aggressive and fast, break away from hardcore purest and intransigent of the beginning: of course, remain 100% Minor Threat but travel the road of evolution but of their gender, genre, hardcore, fantastic in many ways but certainly limiting for others.
After this album the band broke up (because of disagreements on musical direction to take) in '85 and went posthumously last EP " Salad Days", the final step towards the end of this project and the beginning the new, much shorter experience Embrace first of the famous Fugazi .
Returning to the "threat" if you get an idea of \u200b\u200bthe magnitude of the band get yourself the "Complete Discography ", which not only include the work described above, and gives us a couple of missed unpublished.
Here is a small testimony of the "mayhem" that erupted regularly at their concerts, which does nothing but increase the Magone to all those who, to clear issues to personal, we have lost that time ...

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The maximum of the day.

"In folk all the derelicts who took refuge in mid-August can not go to the beach because you find a color from a corpse."

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the Rabbis of the year - Reprise!

Some time ago, when I spoke to reunion, I was rather benign in the evaluation of the movement. Now, however, the light which it is subjected daily exasperation my opinion this current begins to inexorably radicalization, especially on the Italian scene.
As is well known, or so it should be, for their anthropological features Italy has never had a rock scene, and therefore worthy of the title metal, jumping in fact at least fifty years of artistic development in music. If this factor can be regarded as a partial justification for the repetition of groups from little impact within certain currents, non ritengo accettabile che venga assunto come pretesto per piazzare sul piedistallo formazioni che alla prova dei fatti, soprattutto uscendo dai confini nazionali, assumono connotati decisamente più modesti.
Personalmente, ho piene le scatole di sentir esaltare gente come:

•  la Strana Officina che viene annichilita da qualsiasi artista hard & heavy di second'ordine che si poteva trovare nei medesimi anni nell'ex Germania Ovest o in Inghilterra
• i Sadist, unicamente meritevoli d'aver proposto nel nostro sterile mercato, correnti già ampiamente sviscerate anni prima all'estero (vedasi Coroner, Voivod, Nocturnus e Atheist tanto per fare qualche nome)
• la coppia Necrodeath / reconstructed Ghostrider, every day more and more grotesque and exaggerated statements of intent for love for the Old School (in weight lost memory in the 90s, when the play was modern imperative not to lose the train of trend then in vogue)

Obviously, the most outrageous are the Ghostrider, who conscious of nothing at all to say, yes, dedicated to the review of its history to find a shred of legitimacy that justifies that the exhumations were fielded. Do not believe us? Take a peek at this interview , one of many which have undergone name to run again.

Pure music has run at a rate berlusconizzata Moneytalks of .
What a pity!

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Wasted ... again! The theorem

While pursuing the charred metal bands of the speech that he considered fundamental, I do the same with the genre that, lately, I is more: the punk / hardcore (though label the band in question in one genre is a bit 'limited). The Black Flag
were launched his fist in the face to California in the first half of the seventies: what jolly ride on the waves, that winked from the crowded beaches of blondes on the cover and began to dream, right-thinking and optimistic , the future of Silicon Valley.
Hermosa Beach is buffeted by ll'eco devastante delle esibizioni dei Ramones (che a me, sinceramente, non hanno mai fatto impazzire, ndr) quando Greg Ginn , ex studente a UCLA e futuro chitarrista, decide di mettere su una band per sfogare i propri istinti. All'inizio si chiamano Panic e la prima line-up vede Chuck Dukowski al basso, Keith Morris (futuro fondatore dei Circle Jerks ) alla voce e Brian Migdol alla batteria: un quartetto dalla potente etica del lavoro se è vero che provano e riprovano incessantemente giorno dopo giorno, ora dopo ora. Per evitare confusione con un'altra band omonima decidono di scegliere il nome Black Flag , honoring the flag anarchist and a bug spray that has the same name. Their logo was designed by Raymond Pettibon (author of most of the covers of their records), and the band begins to be known by placing their logo on the walls of Los Angeles. In those years the possibility of playing for a punk band are not many and that's the philosophy born "do it yourself ", Black Flag played everywhere: female party schools, parks, public parks, local beaches and infamous roasted, earned a solid reputation among fans and the first in the departments of police, alerted by the riots that regularly explode on stage.
Ginn is the creative musical Dukowski the organizational practice, and their combination are born early recordings and the first concert, despite a succession of vocalists who take turns on when Morris left the band in 1979, to creative differences with Ginn, and up to 'arrival of Henry Rollins (born Henry Lawrence Garfield , coming from the dissolved SOA) in 1981: first Chavo pederast aka Ron Reyes , a fan board for a short time, then Dez Cadena (most recently in Misfits, ed), another fan with no musical training who leaves after the stress of the first vowel tour. Even Henry Rollins is another fan, knows that when faced with a Black Flag tour on the east coast from parts of Washington DC, where the muscular singer lived at the time, Henry finished that tour as a roadie and learns the lyrics and The band impresses with its musical culture before it became the emblem of the group occupying the public imagination with his show shirtless, tattoos, spitting and brawling with the audience.
1981 was also the year of release of "Damaged " which comes after the ep " Nervous Breakdown" and "Jealous Again ", the first products of the newly SST label and artisanal Solid State Transformers issue over the years, just to make a name, the Bad Brains ('sti cocks, ed.)
"Damaged" is the cannon of a perfect war machine music, you cried and the devastating grief of a generation, three chords that mark an era and style. The album was to be distributed by Unicorn Records but pulls back with the excuse of content that is contrary to the moral of the family (but actually it is just an "ordinary" economic crisis, given that a little later the label collapsed on debt) The Black Flag publish it for the SST, embarked on a court case that prevents him for some time use their own name (that is, the compilation "Everything Went Black " appears as the sum of individual contributions) and they forgot to bring the entire tour anyway. After
"Damaged" Dukowski takes a step back down to letting go that Kira Roessler of Black Flag's seminal power brings a touch more intellectual and sophisticated, a little later comes a flurry of conflicting and stun album that show the ambition Search Ginn. After the anthology "The First Four Years " (with p individual and pre-Rollins) out " My War" (with the battery, the former Descendents Bill Stevenson) then " Slip It In" at the beginning of 1984: the first records that show influences from the American heavy metal Black Sabbath and, in the same year, " Family Man", a work more experimental and daring to the choice of the cover which shows a father holding a gun directly in his temple while his wife and children lie slain at his feet.
After this excursion into the music of Hüsker Dü and the subsequent "Loose Nut " the 1985 Black Flag returned to the devastating power of the early years with "In My Head " and then suddenly swerve yet with "The Process Out Of Wedding", an excellent example of "jazz-punk" violent, iconoclastic and avant-garde. Another album, recorded live, " Who's Got The 10 1 / 2? " and, one day in August of 1986, Ginn Rollins called to tell him that he was leaving the band. The Black Flag had closed its doors forever, with a phone call that bitterness!